Autumn River Village in Ink Wash AI Image Prompt

4K 9:16 Core theme: Traditional Chinese ink wash freehand painting, Autumn River and Cold Forest Village, blending Mi Fu style landscape of Song Dynasty with Ni Zan's sparse trees style of Yuan Dynasty. Composition and perspective: Vertical 9:16 panoramic view, using the 'three-distances method' layout: foreground (lower 1/3) features shallow reed marshes (white reed flowers leaning right, stems outlined with thick ink using center tip) and ochre bank rocks (big axe-cut texture strokes, fine grass growing from crevices); middle ground (middle 1/3) features winding water flow (blank space for water surface, light ink washes for ripples, a small boat floating in the center with a fisherman in straw raincoat); background (upper 1/3) features layered distant mountains (Mi style dot texture strokes for clouds and mist, main peak rendered with light ink, secondary peaks with dark ink moss dots). Perspective is level and overlooking, with sightline extending from foreground reeds to middle ground lone boat, disappearing into distant mist. Brushwork and color: Based on 'five shades of ink' — foreground trees use burnt ink (black pine branches like crab claws, white birch trunks left blank, autumn leaves dotted with ochre and gamboge, leaf clusters in '介' and '个' shapes), middle ground dwellings use dark ink (roofs with hemp fiber texture strokes, walls with light ink washes, doors and windows outlined with burnt ink), distant mountains use light ink (layered ink washes, light ochre at mountain bases); colors only accent autumn: maple leaves with cinnabar mixed with carmine, ginkgo with gamboge and a little ochre, reed flowers left blank, water surface reflecting ochre shadows (ink to color ratio 7:3, adhering to 'color does not hinder ink' tradition). Detail elements: • Architectural details: Left of middle ground, 3 thatched cottages (overhanging roof, thatched roof, bamboo fence yard, stone steps to water), right side with 2 firewood sheds (flat roof, mottled walls), overall scattered yet gathered layout. • Plant layers: Foreground in three layers — front reeds (1.5m tall, fluffy spikes), middle ground mixed trees (black pine, white birch, Chinese tallow intertwined, trunks with clear thickness contrast), distant sparse forest (ink dot washes, only treetops visible); autumn leaf distribution follows 'gathering and scattering' principle: red maples concentrated on left middle ground, ginkgo scattered on right for visual balance. • Water and clouds: River surface using 'blank space method', light ink water ripples near shore, middle ground water reflecting tree shadows (ink slightly darker than water surface), distant clouds using 'splashed ink method' (light ink mixed with water to blur edges), mountain mist with flowing feel (dense on left, light on right). • Human touch: Lone boat is a canopy boat (hull outlined with light ink, canopy with burnt ink, fisherman fishing sideways, fishing rod thin as a line), distant sandbank with 2 egrets (dotted with white powder, one standing, one in flight)