Sword Immortal Stands Still as Thousand Swords Split Clouds AI Image Prompt

Vertical 2:3, cinematic Chinese fantasy CG, realistic materials with Unreal Engine-style lighting. A sword immortal in a black robe stands still on a giant liquid-metal flying sword, driving with a single sword gesture two open rivers of over a thousand silver flying swords, charging forward into the thunderstorm clouds torn apart by sword energy. Grand, cold, expressive, free-spirited, with a strong sense of fate. 14mm ultra-wide-angle, camera positioned behind and slightly below the sword immortal and the sword formation, low-angle upward shot. The giant main sword enters from the center-bottom of the frame; near the camera are the hilt and the wide rear section of the blade, which rapidly narrows toward the distance, with the tip clearly pointing to the cloud rift on the upper-right of the frame. The main sword, the figure, the sword rivers, and the cloud rift share the same forward direction and vanishing point. The sword immortal is slender, wearing a black robe, a dark silver belt, and black hair tied in a classical bun, no armor. The figure does not run, jump, or lift legs; he stands still as a pine. The front foot lightly touches the spine of the sword and points forward, the rear foot steps firmly sideways, both soles fully contact the blade; the back is straight, shoulders and neck relaxed, legs natural, center of gravity calm. The right arm extends diagonally forward and upward, the right hand is fully visible, index and middle fingers together in a sword gesture, pointing at the cloud rift. The left arm naturally extends to the left rear of the body, the entire forearm, wrist, and hand are outside the torso silhouette, with the bright sky as background; the left fingers are naturally together, with a clear gap between the hand and the waist/robe. Arm anatomy is correct, wrists properly connected, hands do not intersect with the body or sleeves. The figure faces the storm clouds from a three-quarter rear-side angle. The body is almost still; only the hair ribbon, wide sleeves, and robe hem are blown backward by the wind, forming an elegant continuous S-curve. Controlling motion with stillness, handling heavy force with ease. The thousand flying swords split into two open S-shaped rivers, separated from each other and never closed. The two rivers enter from the lower-left and lower-right behind the sword immortal, extend forward along both sides of the figure, converge gradually after passing him, and surge toward the upper-right cloud rift. The rivers do not encircle the figure, nor form rings, tornadoes, or radial sword arrays. All flying swords maintain a uniform orientation: tips forward, all pointing to the distant cloud rift; hilts, tassels, and light trails drag behind, toward the bottom of the frame and the camera. The camera is behind the sword formation, so the foreground only shows hilts, guards, and rear blade sections; blades converge from near to far, and tips are far from the camera. No sword tip points at the camera, the sword immortal, or the sides of the frame. Swords may tilt and roll along the S-shaped path, but never reverse their tips, like a silver army charging forward after the sword immortal. The foreground has only three giant swords, all with hilts near the camera and tips pointing far away; the midground has dozens of complete swords flanking the figure; the background has hundreds of swords gradually shrinking and merging into the two rivers. Negative space is left around the figure's silhouette, with no blades passing through the body. Each sword retains a complete sharp ancient Chinese sword structure, with clear hilt, guard, blade, and tip. The blade contour is rigid, its surface has flowing liquid-silver mirror ripples, reflecting the deep blue sky, cold white lightning, and dark golden glow; close-up blades have subtle seal-script energy circuits, not melting into silver mud. Silver-blue light trails only drag behind the hilts, with no light trails in front of the tips. All light trails drag back toward the bottom of the frame, clearly proving that the swords are flying forward. Motion blur appears only on light trails, hair ribbon, sleeve edges, and high-speed clouds; the figure, hands, main sword, and primary swords remain sharp. A massive sword energy pierces the sky along the main sword's direction, tearing open heavy thunderstorm clouds on the upper right. The cloud layers roll back on both sides, forming a deep sky rift with concentrated cold white-blue-purple lightning inside. Below, dark blue mountains, surging sea of clouds, and a narrow dark gold horizon appear, creating a cold-warm contrast of deep indigo, cold silver, and a hint of warm gold. Core visual: the sword immortal stands motionless, all flying sword tips point uniformly forward; with only a raised sword gesture, two torrents of a thousand swords rush past him toward the split sky. Avoid: sword tips facing the camera, tips pointing at the figure, chaotic directions, surrounding the figure, closed rings, blade tornadoes, radial sword arrays, blades piercing the body, hand clipping, fused arms, extra fingers, mangled palms, running, jumping, leg lifting, combat lunge, silver mud, mechanical armor, Western knight, neon city, full-screen particles, overexposed clouds, text, and watermarks.