New Chinese Lingnan Four Seasons Pearl Poster AI Image Prompt
New Chinese high-end ritual-order poster, vertical 3:4. Four Lingnan handcrafted objects—Autumn · warm-gold lacquer art raised-carved osmanthus, Spring · celadon-green silk-paper swallow kite, Summer · glass blue-and-white rolling waves, vermilion velvet kapok—tied with silk ribbons and vermilion cord knots to hanging silk threads, orbiting in a staggered arrangement around a central frosted glass luminous pearl; inside the pearl are sealed four colors of flowing light, emitting a warm golden soft glow as the brightest focal point of the whole scene. Xuan-paper off-white diffuses into the void, golden dust and thin mist float, Tyndall light shafts slant through, warm-gold key light from the front left and cool-cyan fill light from the rear right, a matte black lacquer stone platform at the bottom receives soft light reflections. Slightly overhead 45° close-up macro shallow depth of field, focus locked on the luminous pearl and osmanthus relief, the installation centered slightly toward the lower right, upper left negative space, text and image zones do not overlap, only golden dust and hanging silk ribbons lightly touch the lower edge of the text area. English typography placed at the upper left: eyebrow 「QINGLAN · LINGNAN QUARTET · MMXXVI」 ultra-thin sans-serif all caps wide letter spacing, separated below by a warm-gold hairline; main title 「FOUR SEASONS, ONE PEARL」 high-contrast serif all caps in two lines, stepped, second line indented right, moon-white to warm-gold gradient; subtitle 「WHERE ONE LUMINOUS PEARL CARRIES THE WHOLE SOUTHERN YEAR」 thin italic serif left-aligned; lower left ultra-thin sans-serif small text 「© 2026 QINGLAN. ALL RIGHTS RESERVED.」「AIGC-GENERATED ARTWORK」, accompanied by a cinnabar square seal 「青岚」. Silk-screen halftone, paper fiber grain and gold foil shimmer, ink-wash atmosphere, surreal 3D render.
Content: Subject: four Lingnan seasonal crafts orbiting a central luminous pearl; scene: xuan-paper void and black lacquer platform; style: new Chinese luxury, surreal 3D, ink-wash; composition: vertical 3:4, 45-degree macro, negative space, separate text/image zones; lighting: Tyndall, warm key, cool fill; palette: warm gold, celadon, glass blue, vermilion, moon white; materials: lacquer, silk paper, glass, velvet, gold foil; lens: shallow depth; typography: English eyebrow, title, subtitle, copyright, seal.
Pros: Complete modular structure with precise parameters; clear text-image zoning and color hierarchy.
Cons: Too many objects and text lines may overcrowd; long English typography and exact negative space are unstable.
Reference image: No obvious reference-image dependency
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