3:4 Split Impasto Miniature Landscape Poster AI Image Prompt

Generate each uploaded photo separately as one independent high-end design poster; do not create a multi-image collage; output each photo individually. Use an overall 3:4 vertical composition, with the upper and lower areas at a strict 1:1 height ratio, each occupying 50% of the frame. The upper half retains the original photo, preserving subject identity, structure, proportions, realistic texture, natural lighting and original color atmosphere, with only slight high-end photographic color grading so it has the texture of art magazines, independent publications and exhibition photography. To fit the frame, the sky, ground or environmental background may be naturally extended, but the subject must not be stretched, distorted or altered. The lower half extracts the most recognizable subject, silhouette, pose and narrative relationship from the photo, reconstructing them into a 3D impasto oil painting-style micro-landscape illustration poster. Do not mechanically copy the photo; instead transform the subject into a refined, three-dimensional, touchable miniature landscape, reshaping it with impasto brushstrokes, layered color and sculptural volume; retain the subject's core identity and key features while moderately optimizing angle, proportions and details to make it more suitable for miniature landscape presentation. Composition uses large areas of negative space + a centered or slightly off-center diagonal main axis. On a bright white textured paper surface, a clear impasto color band related to the original image's theme supports the subject; it can transform into water surface, ground, path, light band or abstract landscape slice; the subject and color band interact naturally, adding reflections, ripples, light spots or extended brushstrokes as appropriate. The background retains only a few impasto clouds, sun, mist or theme-related natural imagery, forming a light and poetic spatial layering. The painting language emphasizes impasto oil painting × miniature physicality × clear light. Preserve visible paint accumulation, palette knife marks, undulating edges, paper texture and a semi-handcrafted shaping feel; impasto is concentrated in water surface, clouds, color bands and local highlights, making the subject both refined and three-dimensional, with the materiality of real oil paint. Color palette extracts the brightest, most vivid and vital colors from the upper photo and re-mixes them, rather than averaging colors. Overall increase brightness and color purity, using clear sky blue, lake cyan, tender green, warm yellow, coral orange, peach pink and other bright hues naturally derived from the original image, forming a healing feel through fresh cool-warm relationships. Use abundant pure warm white as breathing space; main colors are vivid but not harsh; local warm orange, golden yellow or pink can serve as sunlight-like accent colors, giving the image a color spirit of clear, vivid, warm, light and vital. Avoid gray dirtiness, oldness, low-saturation Morandi-ization, dark brown filters, fluorescent colors and cheap candy feel. Text intervenes sparingly: extract a short title from the photo's subject identity, location, emotion or symbolic meaning, paired with very little secondary text, numbering or micro annotations. Text remains delicate, restrained and with ample negative space; it can be arranged along the diagonal main axis, subject edges or large blank areas, like refined annotations in art publications. Overall presentation: bright white background, vivid impasto, clear colors, miniature subject, large negative space and warm light together form an advanced healing quality. Whether the subject is architecture, people, animals, plants, objects, vehicles or natural scenery, it should maintain clear identity and vivid colors, avoiding gray dirtiness, dullness, cartoon toy feel, plastic CG feel, e-commerce feel and template feel.