Single Photo Premium Poster: Original Photo + Hand-drawn Doodle AI Image Prompt

Create one independent premium design poster for each uploaded photo separately; no multi-image collage. Overall use 3:4 vertical composition, with upper and lower areas strictly 1:1 in height, each occupying 50% of the frame. Upper half retains the original photo, preserving the subject's identity, structure, pose, realistic texture, natural light and shadow, and original color atmosphere; apply only subtle premium color grading to give it an art magazine and exhibition image quality. To fit the format, the environmental background may be naturally extended, but the subject must not be stretched, distorted, or changed. Lower half makes a new artistic judgment, extracting only the most recognizable subject, silhouette, structure, pose, and narrative relationship from the photo, reconstructing them as Hand-drawn Doodle Lifestyle Illustration / Naïve Illustration / Marker Drawing. Do not retain all objects; do not copy the original scene. Actively delete most of the background and irrelevant information. Through reduction, recomposition, cropping, and scale changes, re-direct the image so that even an ordinary original composition can be transformed into a resolved artwork. Simplify and symbolize forms, relaxed and full of personality, using slightly jittery, broken, not fully regular hand-drawn lines, and natural coloring like markers, crayons, and oil pastels. Allow slight crossings over lines, exposed white, and handmade imperfections; do not pursue realistic proportions, complete perspective, or fine detailing. The lower half must center on an extremely large amount of intentional negative space, with solid figures occupying only a small proportion; the rest of the space should be actively left empty. The subject may be off-center, edge-aligned, suspended, or partially cropped, positioned according to pose direction and visual weight. Negative space and subject together form positive/negative shapes, distance, pauses, and breathing room; prefer drawing less rather than ever filling the frame. Graphics and text must be re-laid out as a whole, not 'a sentence on top and a figure below.' First establish an invisible grid, visual axes, and reading path, then decide text placement; text may sit close to the subject's contour, follow the direction of movement, align with the head or shoulder line, fall into large negative space, or form displacement, interweaving, and asymmetrical correspondence with the graphics. Avoid mechanical centering, top-bottom stacking, and fixed templates; let graphics carry emotion and text carry rhythm, together completing the composition. Text language is unrestricted; retain only a very small number of truly meaningful words or short phrases. Use light, natural handwriting with slight variation in character width and pen pressure, keeping a bit of casual handwritten feel, but letter spacing, line spacing, and overall placement must be editorially controlled. A slightly more prominent short phrase may pair with tiny supporting text to create hierarchy, but no menu-style titles, long copy, or full-page text. Color palette uses a soft, bright, healing limited color system, extracting the most vital colors from the original image and re-mixing them; it may form cream yellow, peach pink, coral red, sky blue, lake cyan, fresh green, lavender purple, and other crisp colors—vivid but not harsh, soft but not gray or dirty, with warm white or extremely light mixed color as large areas of breathing space. Overall pursue naive drawing, mature composition, smart image-text relationships, and extremely large negative space, like a premium independent magazine, lifestyle editorial illustration, or art publication, not a children's journal. Avoid the fixed structure of centered subject + centered copy, random small icons scattered around, complex backgrounds, information overload, filled frames, cheap cartoon feel, and template-like layout.